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	<title>Stuntbox</title>
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	<description>David Sleight&#039;s Blog</description>
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		<title>From Few,&#160;Many</title>
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		<pubDate>Thu, 01 Oct 2009 01:46:09 +0000</pubDate>
		<dc:creator>David Sleight</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[journalism]]></category>
		<category><![CDATA[magazines]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[new media]]></category>
		<category><![CDATA[newspapers]]></category>
		<category><![CDATA[old media]]></category>

		<guid isPermaLink="false">http://www.stuntbox.com/?p=255</guid>
		<description><![CDATA[<p>Just a quick food-for-thought quote from <a href="http://www.niemanlab.org/2009/09/clay-shirky-let-a-thousand-flowers-bloom-to-replace-newspapers-dont-build-a-paywall-around-a-public-good/" title="Nieman Journalism Lab: Clay Shirky: Let a Thousand Flowers Bloom to Replace Newspapers">Clay Shirky's speech at the Shorenstein Center</a> last week. Here he's addressing the <a href="http://en.wikipedia.org/wiki/False_dilemma" title="Wikipedia: Fallacy of False Dilemma">false dilemma</a> fallacy that keeps popping up in industry conversations about the "future form" of journalism:</p>

<blockquote><p>So we don’t need another different kind of institution that does 85 percent of accountability journalism. We need a class of institutions or models, whether they’re endowments or crowdsourced or what have you. We need a model that produces five percent of accountability journalism. And we need to get that right 17 times in a row.</p></blockquote>

<p>Point noted? There is no one-to-one, monolithic replacement for the existing media models waiting in the wings. Nothing that we can just swap in and be on our merry way. What’s eroding now was the product of intent mixed with historic coincidence, to a scale present economics won’t replicate.</p>

<p>The future will be small, messy, and enumerative. Now let's get on with it, shall we? </p>]]></description>
			<content:encoded><![CDATA[<p>Just a quick food-for-thought quote from <a href="http://www.niemanlab.org/2009/09/clay-shirky-let-a-thousand-flowers-bloom-to-replace-newspapers-dont-build-a-paywall-around-a-public-good/" title="Nieman Journalism Lab: Clay Shirky: Let a Thousand Flowers Bloom to Replace Newspapers">Clay Shirky&#8217;s speech at the Shorenstein Center</a> last week. Here he&#8217;s addressing the <a href="http://en.wikipedia.org/wiki/False_dilemma" title="Wikipedia: Fallacy of False Dilemma">false dilemma</a> fallacy that keeps popping up in industry conversations about the &#8220;future form&#8221; of journalism:</p>
<blockquote><p>So we don’t need another different kind of institution that does 85 percent of accountability journalism. We need a class of institutions or models, whether they’re endowments or crowdsourced or what have you. We need a model that produces five percent of accountability journalism. And we need to get that right 17 times in a row.</p>
</blockquote>
<p>Point noted? There is no one-to-one, monolithic replacement for the existing media models waiting in the wings. Nothing that we can just swap in and be on our merry way. What’s eroding now was the product of intent mixed with historic coincidence, to a scale present economics won’t replicate.</p>
<p>The future will be small, messy, and enumerative. Now let&#8217;s get on with it, shall we? </p>
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		<title>Paving the&#160;Road</title>
		<link>http://stuntbox.com/feeder/?FeederAction=clicked&amp;feed=Articles+%28RSS2%29&amp;seed=http%3A%2F%2Fstuntbox.com%2Fblog%2F2009%2F09%2Fpaving-the-road%2F&amp;seed_title=Paving+the%26%23160%3BRoad</link>
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		<pubDate>Thu, 24 Sep 2009 18:20:14 +0000</pubDate>
		<dc:creator>David Sleight</dc:creator>
				<category><![CDATA[Design]]></category>
		<category><![CDATA[empathy]]></category>
		<category><![CDATA[google]]></category>
		<category><![CDATA[management]]></category>

		<guid isPermaLink="false">http://www.stuntbox.com/?p=238</guid>
		<description><![CDATA[<p>If you haven’t seen it yet, Google launched their latest project, <a href="http://googleblog.blogspot.com/2009/09/help-and-learn-from-others-as-you.html">Sidewiki</a>, this week, to a somewhat rancorous reception. Sidewiki uses the existing Google Toolbar to park a comment panel next to any site in the browser window. The site owner can’t control it, and Google hosts the whole affair from their own servers. As of this writing, sites can’t even opt out of it. </p>

<p>The problems with this are myriad and ugly. Jeff Jarvis quickly dispatched <a href="http://www.buzzmachine.com/2009/09/23/google-sidewiki-danger/">a post covering the salient sticking points</a>. (And, appropriately, there are good issues being raised in the comments.) I’m in agreement with Jarvis and others that this is an all-around bad idea. </p> 

<p>Chalk it up to a failure of empathy. </p>]]></description>
			<content:encoded><![CDATA[<p>If you haven’t seen it yet, Google launched their latest project, <a href="http://googleblog.blogspot.com/2009/09/help-and-learn-from-others-as-you.html">Sidewiki</a>, this week, to a somewhat rancorous reception. Sidewiki uses the existing Google Toolbar to park a comment panel next to any site in the browser window. The site owner can’t control it, and Google hosts the whole affair from their own servers. As of this writing, sites can’t even opt out of it. </p>
<p>The problems with this are myriad and ugly. Jeff Jarvis quickly dispatched <a href="http://www.buzzmachine.com/2009/09/23/google-sidewiki-danger/">a post covering the salient sticking points</a>. (And, appropriately, there are good issues being raised in the comments.) I’m in agreement with Jarvis and others that this is an all-around bad idea. </p>
<p>Chalk it up to a failure of empathy. </p>
<p>Firstly, comment traffic is prized by many site owners. Especially those who take pride in the conversations happening around their content. Had Google wrapped their heads around this point of view, they might have foreseen how shifting the location and control of these conversations could be perceived as “stealing” something from site owners. The product (and the promotion of it) could have been adjusted accordingly, and fears assuaged. </p>
<p>Perhaps more importantly, Google seems to have failed to recognize how the audience’s changing notions about them might color this reaction. A company’s empathy for its users needs to be informed not just by its own sense of identity, but by whether that perception squares with popular sentiment. </p>
<p>Google might think users don’t have the right idea about their intent with Sidewiki, that <em>these people just don’t get it this is so cool we’re trying to help them why do they hate it</em>? But they need to remember they’re pulling in the kind of revenue that dwarfs the GDP of small nations now. With that reality comes an entirely different set of expectations about how they can and should behave. Simply by virtue of size and clout, actions formerly benign can now portend evil intent to the audience if handled badly. </p>
<p>Is that fair? Not terribly. Is that a psychological reality Google needs to recognize and deal with? Absolutely. Tone deafness isn’t an option. Not if they want to address the growing dissonance between <a href="http://www.theatlantic.com/doc/200909/google" title="The Atlantic: What Scares Google">how they think of themselves</a> and <a href="http://dashes.com/anil/2009/07/googles-microsoft-moment.html" title="Anil Dash: Google's Microsoft Moment">what we see as users</a>. </p>
<p>Good intentions aren’t enough for Google anymore. They just pave the road to, well, you know&#8230;</p>
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		<title>Crosstown&#160;Traffic</title>
		<link>http://stuntbox.com/feeder/?FeederAction=clicked&amp;feed=Articles+%28RSS2%29&amp;seed=http%3A%2F%2Fstuntbox.com%2Fblog%2F2009%2F09%2Fcrosstown-traffic%2F&amp;seed_title=Crosstown%26%23160%3BTraffic</link>
		<comments>http://stuntbox.com/feeder/?FeederAction=clicked&amp;feed=Articles+%28RSS2%29&amp;seed=http%3A%2F%2Fstuntbox.com%2Fblog%2F2009%2F09%2Fcrosstown-traffic%2F&amp;seed_title=Crosstown%26%23160%3BTraffic#comments</comments>
		<pubDate>Wed, 16 Sep 2009 14:14:07 +0000</pubDate>
		<dc:creator>David Sleight</dc:creator>
				<category><![CDATA[Flash]]></category>
		<category><![CDATA[JavaScript]]></category>
		<category><![CDATA[Web Development]]></category>
		<category><![CDATA[adobe]]></category>
		<category><![CDATA[html5]]></category>
		<category><![CDATA[w3c]]></category>
		<category><![CDATA[web standards]]></category>

		<guid isPermaLink="false">http://www.stuntbox.com/?p=211</guid>
		<description><![CDATA[<p>Up until now, if you’ve used advanced Web techniques like AJAX or Flash to create interactivity on your site, you’ve been punished when it comes time to tally up your traffic. Even at this late date, most off-the-shelf tracking software remains ignorant of clicks that don’t involve simple HTML pageviews. Since your fancy Web 2.0 app doesn’t transfer HTML with every click, those clicks don’t get counted. </p>]]></description>
			<content:encoded><![CDATA[<p>Up until now, if you&#8217;ve used advanced Web techniques like AJAX or Flash to create interactivity on your site, you&#8217;ve been punished when it comes time to tally up your traffic. Even at this late date, most off-the-shelf tracking software remains ignorant of clicks that don&#8217;t involve simple HTML pageviews. Since your fancy Web 2.0 app doesn&#8217;t transfer HTML with every click, those clicks don&#8217;t get counted.</p>
<p>There are workarounds. Clunky at best and mostly proprietary, they&#8217;re seldom used by the third party agencies who audit the traffic claims of major sites (and thereby influence the rates those sites can charge advertisers). In other words, they don&#8217;t rate with the moneymen. </p>
<p>There have been efforts to emphasize other metrics, such as the <a href="http://www.stuntbox.com/blog/2007/07/sweeps-week/" title="Stuntbox: Sweeps Week">amount of time a user spends on a site</a>, but they haven&#8217;t amounted to much yet. At least not enough to free us from traffic woes when playing anywhere remotely near the bleeding edge. </p>
<p>It&#8217;s quite plain this state of affairs is holding these technologies, and the Web, back. Enough so that Adobe has apparently decided to take matters into its own hands, at great expense, by <a href="http://news.cnet.com/8301-13860_3-10353733-56.html" title="CNET: Adobe to buy Omniture for $1.8 billion">plunking down a king&#8217;s ransom to acquire Omniture</a>, a major player in the business of counting site traffic. </p>
<p>With this purchase, Adobe clearly intends to construct a bully pulpit from which it can influence this state of affairs for its benefit, serving their deeply vested interest in Flash. Good for them. </p>
<p>So this begs a question. </p>
<p>Is anybody working on a solution for AJAX? </p>
<p>It would seem like the work currently underway on HTML5, a specification fittingly dubbed &#8220;Web Applications 1.0&#8243; at one point, provides a choice opportunity to establish some clear guidance on trackable AJAX events in Web apps for everyone involved, and help steer the ship forward. </p>
<p>I&#8217;ve been scanning the spec-in-progress, but haven&#8217;t yet seen anything that seems to fit the bill. <a href="http://dev.w3.org/html5/spec/Overview.html" title=" HTML5 W3C Editor's Draft">It&#8217;s a big spec</a>. I could easily be missing something. Maybe we can use the <code><a href="http://dev.w3.org/html5/spec/Overview.html#hyperlink-auditing" title="HTML5 W3C Editor's Draft: Hyperlink Auditing">ping</a></code> attribute? Perhaps it&#8217;s in how <a href="http://dev.w3.org/html5/spec/Overview.html#fetching-resources" title="HTML5 W3C Editor's Draft: Fetching resources">resource fetching</a> is defined? I don&#8217;t know. But I&#8217;m sure minds more knowledgeable than mine have some ideas. Ideas that wouldn&#8217;t constitute a proprietary hack. </p>
<p>The major sites won&#8217;t budge until the auditors move. The auditors won&#8217;t move until the corporate coalitions make some decisions. The corporate coalitions are comprised of the owners of said major sites. Lather, rinse, repeat. </p>
<p>What&#8217;s needed now is a standards body to break this stalemate. Otherwise we remain locked into a stagnant scenario where no one wants to be the first mover, and the proprietary solutions pass us all by. </p>
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		<title>Keepin&#8217; it&#160;Causal</title>
		<link>http://stuntbox.com/feeder/?FeederAction=clicked&amp;feed=Articles+%28RSS2%29&amp;seed=http%3A%2F%2Fstuntbox.com%2Fblog%2F2009%2F05%2Fkeepin-it-causal%2F&amp;seed_title=Keepin%26%238217%3B+it%26%23160%3BCausal</link>
		<comments>http://stuntbox.com/feeder/?FeederAction=clicked&amp;feed=Articles+%28RSS2%29&amp;seed=http%3A%2F%2Fstuntbox.com%2Fblog%2F2009%2F05%2Fkeepin-it-causal%2F&amp;seed_title=Keepin%26%238217%3B+it%26%23160%3BCausal#comments</comments>
		<pubDate>Wed, 27 May 2009 15:49:28 +0000</pubDate>
		<dc:creator>David Sleight</dc:creator>
				<category><![CDATA[Design]]></category>

		<guid isPermaLink="false">http://www.stuntbox.com/?p=168</guid>
		<description><![CDATA[<p>In the annals of design, "Make the logo bigger," might be the most infamous request you're likely to hear. But his little kid brother, "Can you fit this in?" is far and away the more frequent interloper to our inboxes. </p>

<p>For the sake of fitting it all in, we sometimes condense (or forget to expand) a design to the point of impinging on hierarchy and causality. Often, the pieces we're putting together as web designers have relationships that cannot be effectively illuminated through simple adjacency alone. </p>

<p>Debussy defined music as the space between the notes. So should it be with design. </p>]]></description>
			<content:encoded><![CDATA[<p>In the annals of design, &#8220;<a href="http://www.underconsideration.com/speakup/archives/003259.html" title="Speak Up: Big! Bigger! Biggestest!">Make the logo bigger</a>,&#8221; might be the most infamous request you&#8217;re likely to hear. But his little kid brother, &#8220;Can you fit this in?&#8221; is far and away the more frequent interloper to our inboxes. </p>
<p>For the sake of fitting it all in, we sometimes condense (or forget to expand) a design to the point of impinging on hierarchy and causality. Often, the pieces we&#8217;re putting together as web designers have relationships that cannot be effectively illuminated through proximity alone. </p>
<p>Debussy defined music as the space between the notes. So should it be with design. </p>
<h2>Which Way?</h2>
<p>So allow me to register a humble gripe with the print output of Google Maps. <a href="http://www.flickr.com/photos/stuntbox/sets/72157618301578463/" title="Stuntbox on Flickr: Adirondack Whitewater Trip"> Traveling through the Adirondacks</a> a short while ago I printed out some driving directions that made me and several other fairly sharp cookies do a double-take:</p>
<p><img src="http://www.stuntbox.com/images/posts/google-maps-source.jpg" alt="Google Maps printout" width="500" height="185" /></p>
<p class="caption">Detail view of a Google Maps printout.</p>
<p>It&#8217;s the distance bit. Are those distances on the right end of the rows <em>from</em> the locations on the same line, or the distances to them? After a moment of troubling, you can figure it out, sure. But figuring things out is <em>not</em> what you should be doing while winding your way through traffic on a high speed six lane highway.</p>
<p>&#8220;Wait. How far until the next&#8212;<em>Fudruckers</em>! We missed the turn&#8230;&#8221;</p>
<p>This layout takes what should be a straight-up linear relationship and introduces a tedious moment of forced cognition&#8212;and subsequently doubt&#8212;by failing to expand and clearly define the relationships between items. </p>
<h2>Change of Direction</h2>
<p> While it won&#8217;t win any beauty pageants, here&#8217;s one possible take on expanding Google&#8217;s layout to clearly suss out the connections:  </p>
<p><img src="http://www.stuntbox.com/images/posts/google-maps-refined.jpg" alt="Google Maps printout redesigned" width="370" height="302" /></p>
<p class="caption">Detail of a revised Google Maps printout design.</p>
<p>An exhaustive, deeply explored treatment this ain&#8217;t. And I&#8217;m sure any number of bright young design things could pick it up and turn it into something better. But the point should be clear.
</p>
<p>By expanding the design, we&#8217;ve allowed the opportunity to clearly flag relationships between data in a way that&#8217;s unmistakable. You wouldn&#8217;t print out this version and be left wondering which way is up.</p>
<p> Give that design a little room to breathe, and we might all find our way. </p>
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		<title>The Long&#160;Form</title>
		<link>http://stuntbox.com/feeder/?FeederAction=clicked&amp;feed=Articles+%28RSS2%29&amp;seed=http%3A%2F%2Fstuntbox.com%2Fblog%2F2009%2F05%2Fthe-long-form%2F&amp;seed_title=The+Long%26%23160%3BForm</link>
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		<pubDate>Wed, 20 May 2009 18:59:13 +0000</pubDate>
		<dc:creator>David Sleight</dc:creator>
				<category><![CDATA[Design]]></category>
		<category><![CDATA[UI]]></category>
		<category><![CDATA[Web Design]]></category>

		<guid isPermaLink="false">http://www.stuntbox.com/?p=149</guid>
		<description><![CDATA[<p>"You can't do long-form writing online."</p>

<p>Really? It's 2009 and we're still having this conversation?</p>

<p>The human brain is extraordinarily well adapted for associative thinking. It helped ensure the survival of our ancient ancestors. Even lacking direct empirical experience of a danger, they were able to piece together the puzzle from snatches of previously acquired data. (Enter predator: "Woah. Never seen <em>that</em> one before. Big claws? Check. Nasty fangs? Uh-huh. Run like hell? You bet.")</p>

<p>It also, unfortunately, is what leads us to constantly ascribe properties and biases from an old medium to a new one.</p]]></description>
			<content:encoded><![CDATA[<p>&#8220;You can&#8217;t do long-form writing online.&#8221;</p>
<p>Really? It&#8217;s 2009 and we&#8217;re still having this conversation?</p>
<p>The human brain is extraordinarily well adapted for associative thinking. It helped ensure the survival of our ancient ancestors. Even lacking direct empirical experience of a danger, they were able to piece together the puzzle from snatches of previously acquired data. (Enter predator: &#8220;Woah. Never seen <em>that</em> one before. Big claws? Check. Nasty fangs? Uh-huh. Run like hell? You bet.&#8221;)</p>
<p>It&#8217;s also, unfortunately, what leads us to constantly ascribe properties and biases from an old medium to a new one.</p>
<p>So here we find ourselves, well over a decade into this newfangled thing called the Web, with the prevailing folk wisdom about writing for it too oft unexamined.</p>
<p><a href="https://twitter.com/stuntbox/status/1851604820"><img src="http://www.stuntbox.com/images/posts/tweet-on-fire.jpg" alt="" width="500" height="252" /></a></p>
<p class="caption">A modest proposal.</p>
<p>Reading <a href="http://gadgets.boingboing.net/2009/05/18/welcome-wired-we-cal.html" title="Boing Boing Gadgets: Welcome, Wired. We Call This Land Internet">a candid, public back and forth</a> between the print and online camps of a major publication once revered for its progressive technical stance, I very nearly went apoplectic (and let the above tweet fly). Even while fighting for their piece of the pie, online writers and editors implicitly ceded the point as if it were a given, in a conversation that largely conflated reporting formats and business models with writing styles: long-form writing is somehow assumed to be the domain of print only.</p>
<p>It went largely unarticulated, but there it was. Again. The base assumption lurking under it all. It&#8217;s palpable as you roll through those comments. </p>
<p>But it&#8217;s not like there isn&#8217;t solid data informing us to the contrary.</p>
<p>Late last year, Michael Meyers managed to buck the trend in the November/December 2008 issue of the <cite>Columbia Journalism Review</cite>. In his article &#8220;Surface Routines&#8221;, he cited the results of the Poynter Institute&#8217;s Eyetrack &#8216;07 study, which examined the habits of both loyal print and online newspaper readers, to challenge the widely held assumptions anew.</p>
<p>Since the <a href="http://www.cjr.org/feature/surface_routines.php">original article</a> is now behind a pay wall (an irony and anxiety for another discussion) here&#8217;s a sampling of the conclusions drawn from the data: </p>
<blockquote>
<p>Web readers were more selective in the stories they chose, but once they found what they wanted, they read a substantially higher percentage of text than their print counterparts&#8212;a result that was true across all story lengths. Rather than running from words, Web users tended to be <em>more</em> textually based, and typically entered a story through a headline rather than a photo.</p>
<p>In fact, all of the differences between the actions of print and online readers in [the study] could be far more easily attributed to the navigational structure of a news Web site than to the mysterious force of a new medium.</p>
</blockquote>
<p>And in case that didn&#8217;t package things neatly enough, Meyers continues:</p>
<blockquote>
<p>The study proved the obvious but still anxiously held point that the Web is capable of delivering stories of any length and complexity. It also proved that people are still interested in long-form content&#8212;even people who choose to read the news online.</p>
</blockquote>
<p>Bottom line? It&#8217;s a bald fallacy of presumption to hold that presenting text on a webpage <em>ipso facto</em> induces peripatetic behavior in your audience. The content itself, and the design used to present it, are the leading factors in shaping success. Not pixels or points. The hands that matter are those of the writer and the designer. If you&#8217;re a Web designer, you have incredible power (and a responsibility) to help further the case for this medium. </p>
<p>No more lazy assumptions. </p>
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		<title>Objectifiable</title>
		<link>http://stuntbox.com/feeder/?FeederAction=clicked&amp;feed=Articles+%28RSS2%29&amp;seed=http%3A%2F%2Fstuntbox.com%2Fblog%2F2009%2F04%2Fobjectifiable%2F&amp;seed_title=Objectifiable</link>
		<comments>http://stuntbox.com/feeder/?FeederAction=clicked&amp;feed=Articles+%28RSS2%29&amp;seed=http%3A%2F%2Fstuntbox.com%2Fblog%2F2009%2F04%2Fobjectifiable%2F&amp;seed_title=Objectifiable#comments</comments>
		<pubDate>Mon, 13 Apr 2009 07:51:44 +0000</pubDate>
		<dc:creator>David Sleight</dc:creator>
				<category><![CDATA[Design]]></category>

		<guid isPermaLink="false">http://www.stuntbox.com/?p=142</guid>
		<description><![CDATA[<p>Having somehow managed to miss each and every pass Gary Hustwit's <a href="http://www.helveticafilm.com/"><cite>Helvetica</cite></a> took through NYC, I was thrilled to catch the New York premiere of <a href="http://www.objectifiedfilm.com/"><cite>Objectified</cite></a> last week. Like it or not&#8212;and I’m definitely in the “like” camp&#8212;Hustwit and cinematographer Luke Geissbuhler have put together two solid treats for design fans, with word that a third is in the works. Post-screening, Hustwit, Geissbuhler, and designer <a href="http://www.karimrashid.com/">Karim Rashid</a> (who also appears in the documentary) took a few moments to mix it up with the audience in an open Q&#038;A session.</p>]]></description>
			<content:encoded><![CDATA[<p>Having somehow managed to miss each and every pass Gary Hustwit&#8217;s <a href="http://www.helveticafilm.com/"><cite>Helvetica</cite></a> took through NYC, I was thrilled to catch the New York premiere of <a href="http://www.objectifiedfilm.com/"><cite>Objectified</cite></a> last week. Like it or not&#8212;and I’m definitely in the “like” camp&#8212;Hustwit and cinematographer Luke Geissbuhler have put together two solid treats for design fans, with word that a third is in the works. Post-screening, Hustwit, Geissbuhler, and designer <a href="http://www.karimrashid.com/">Karim Rashid</a> (who also appears in the documentary) took a few moments to mix it up with the audience in an open Q&#038;A session.</p>
<p>Echoing points made by <a href="http://www.robwalker.net/">Rob Walker</a> towards the end of the documentary, it wasn’t long before someone put the doomsday scenario to the trio: If the hurricane was barreling down upon you, and you only had seconds to save a few treasured items before you dashed out the door, what would you take?</p>
<p>It occurred to me that my own answer really shelves the kind of personal nostalgia this question is typically hunting after, probably saying less about me than it does about the times in which we’re just beginning to live.
<p/>
<p>I’d grab the same three objects I check are on my person before I walk out the door every morning:</p>
<p>Smartphone. Wallet. Keys. In that order. </p>
<p>That’s it. </p>
<p>Why? It&#8217;s about <em>access</em>&#8212;and to a slightly lesser degree, <em>authentication</em>&#8212;in a world of distributed systems. </p>
<p>These are the means, in compact form, by which I can obtain the vast majority of the other material goods, services, or vital information I might need, both in crisis and everyday life. (Provided the systems that support them are still functional. Which, granted, as of now can still sometimes be a very big “if.”)</p>
<p>Life among truly distributed support systems is predicated on information about the system itself. I’m not as concerned with the items the system delivers as how they can be delivered because, if things are working, the objects can ultimately be replaced at one cost or another. (<a href="http://www.objectifiedfilm.com/blog/your-film-made-me-physically-ill/" title="Objectified: Your film made me physically ill">Touching on sustainability</a>, this also implies the system should be able to reabsorb and redistribute objects and their constituent components accordingly&#8212;something we obviously have a lot of work to do on.) </p>
<p>For objects that are truly so imbued with personal stories that the real value in them can not be duplicated at any cost (think, &#8220;I&#8217;d take Uncle Fred&#8217;s old golf clubs. It&#8217;s a funny story…&#8221;) well, at the risk of sounding cold, better to have saved yourself and ensured you have the means to conduct your affairs and aid others. </p>
<p>Credit to Rashim, the designer of the trio, for pointing out as much. Ultimately the objects are replaceable, he noted, “You are not.” </p>
<p>Surprising, one might think, given that his life revolves around creating so many of the items I’m cavalierly talking about abandoning at a moment&#8217;s notice. But perhaps being such a prolific creator as he is, he’s well aware that the object itself is not where irreplaceable value lies. </p>
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		<title>Me, Myself &amp; Seven&#160;I’s</title>
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		<pubDate>Wed, 14 Jan 2009 06:35:59 +0000</pubDate>
		<dc:creator>David Sleight</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[Life]]></category>
		<category><![CDATA[me]]></category>

		<guid isPermaLink="false">http://www.stuntbox.com/?p=130</guid>
		<description><![CDATA[<p>I hope this meme comes out in the wash. I tried the club soda trick and everything, but no dice.</p>

<p>Okay, so I’ve been tagged for Seven Things. Normally I’d turn my daintily elitist Northeastern nose up at such a thing and demand the house staff see it out <em>posthaste</em>, but this tagging comes by way of <a href="http://drinkerthinker.com/blog/archives/2009/01/11/le-sette-cosas/" title="drinkerthinker: Les Sette Cosas">drinkerthinker</a>, and hot on the heels of a <a href="http://unstoppablerobotninja.com/entry/stern-and-price-total-dicks/" title="Unstoppable Robot Ninja: Stern and Price? Total dicks.">sensibly populist rationalization</a> from her robotic counterpart. Who am I to refuse?</p>

<p>Well then, let’s make with the reciprocity&#8230;</p>]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.stuntbox.com/images/posts/spit_shine.jpg" alt="" width="500" height="332" /></p>
<p>I hope this meme comes out in the wash. I tried the club soda trick and everything, but no dice.</p>
<p>Okay, so I’ve been tagged for Seven Things. Normally I’d turn my daintily elitist Northeastern nose up at such a thing and demand the house staff see it out <em>posthaste</em>, but this tagging comes by way of <a href="http://drinkerthinker.com/blog/archives/2009/01/11/le-sette-cosas/" title="drinkerthinker: Les Sette Cosas">drinkerthinker</a>, and hot on the heels of a <a href="http://unstoppablerobotninja.com/entry/stern-and-price-total-dicks/" title="Unstoppable Robot Ninja: Stern and Price? Total dicks.">sensibly populist rationalization</a> from her robotic counterpart. Who am I to refuse?</p>
<p>So let’s make with the reciprocity&#8230;</p>
<h2>The Rules</h2>
<ul>
<li>Link to your original tagger(s) and list these rules in your post.</li>
<li>Share seven facts about yourself in the post.</li>
<li>Tag seven people at the end of your post, leaving their names and links to their blogs.</li>
<li>Let them know they’ve been tagged.</li>
</ul>
<h2>The Goods</h2>
<ol>
<li>I got my first job at age 14, working as an undocumented farm laborer. We were paid in cash every Tuesday (to ensure our return) and transported to the fields via a van held together with carpet remnants and spittle. Nothing teaches a 14-year-old the value of hard work like shoveling raw manure into an industrial dirt grinder for a fraction of minimum wage.  </li>
<li>I was accidentally stabbed in the hand by a co-worker at the aforementioned job (no lasting ill effects) and received the second best tan of my life (thus far). I also acquired an aloe plant from my employers that nearly achieved sentience before collapsing under its own colossal mass. It spawned several sequels.  </li>
<li>Grace incarnate from an early age, I bear a faint scar on my chin from when I fell off a balance beam in elementary school. Yeah, I’m butch. (Seriously, what kind of sociopath puts a balance beam on a school playground?)  </li>
<li>I once broke my ankle in two places and tore the cartilage off the bottom of my femur while playing with some icicles. Really fucking pretty icicles. </li>
<li>I have a nearly indiscernible but sizable birthmark on my left iris. Ball&#8217;s back in your court, David Bowie.  </li>
<li>I was once voted &#8220;Most Sarcastic Representative&#8221; and “Best Debater” at the same awards ceremony by my university&#8217;s Student Association. I am hell on wheels with <a href="http://en.wikipedia.org/wiki/Roberts_Rules" title="Wikipedia: Robert's Rules of Order">Robert’s Rules</a>, and still occasionally catch myself blurting out “Point of order!” during office meetings.  </li>
<li>When I was a wee tyke I thought the Chrysler Building was the Empire State Building and vice versa. Everyone always talked about how great the latter was, but the former struck me as so much damn nicer. They must’ve meant that one, right? I now live a block away from it (and still think it looks nicer). </li>
</ol>
<h2>Next Victims</h2>
<p>The following esteemed gentlefolk may feel free to carry on in like fashion or, barring that, take this nomination out behind a barn and gently smother it. Please note this does not preclude additional shunning at The Next Big Social Event of the Season, where we will undoubtedly stand around exchanging awkward pleasantries and wishing like mad hell the cocktails were stronger.</p>
<ul>
<li><a href="http://www.graphpaper.com/">Chris Fahey</a> (<a href="http://twitter.com/askrom">@askrom</a>)</li>
<li><a href="http://showmeyourtweets.com/">Anthony Armendariz</a> (<a href="http://twitter.com/mantwan">@mantwan</a>)</li>
<li><a href="http://localtype.org/">Chris Harrington</a> (<a href="http://twitter.com/octothorpe">@octothorpe</a>)</li>
<li><a href="http://incisive.nu/">Erin Kissane</a> (<a href="http://twitter.com/kissane">@kissane</a>)</li>
<li><a href="http://www.aworkinglibrary.com/">Mandy Brown</a> (<a href="http://twitter.com/aworkinglibrary">@aworkinglibrary</a>)</li>
<li><a href="http://melancholypoet.blogspot.com/">Ron Newsome</a> (<a href="http://twitter.com/ronsome">@ronsome</a>)</li>
<li><a href="http://www.downdb.net/">Pete Brown</a> (<a href="http://twitter.com/downdb">@downdb</a>)</li>
</ul>
<p>Go forth and testify. </p>
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		<title>Big, Bigger,&#160;Biggest</title>
		<link>http://stuntbox.com/feeder/?FeederAction=clicked&amp;feed=Articles+%28RSS2%29&amp;seed=http%3A%2F%2Fstuntbox.com%2Fblog%2F2009%2F01%2Fbig-bigger-biggest%2F&amp;seed_title=Big%2C+Bigger%2C%26%23160%3BBiggest</link>
		<comments>http://stuntbox.com/feeder/?FeederAction=clicked&amp;feed=Articles+%28RSS2%29&amp;seed=http%3A%2F%2Fstuntbox.com%2Fblog%2F2009%2F01%2Fbig-bigger-biggest%2F&amp;seed_title=Big%2C+Bigger%2C%26%23160%3BBiggest#comments</comments>
		<pubDate>Thu, 08 Jan 2009 07:39:37 +0000</pubDate>
		<dc:creator>David Sleight</dc:creator>
				<category><![CDATA[BusinessWeek]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[Web Design]]></category>

		<guid isPermaLink="false">http://www.stuntbox.com/?p=121</guid>
		<description><![CDATA[<p>We now pause for a brief moment of design reflection. </p>

<p>Consider the following screenshots. The first of the BusinessWeek.com reader comment navigation as I originally designed it (eons ago, it now seems) and the latter of how it appeared the other day when <a href="http://twitter.com/JOHNABYRNE/status/1098413676 " title="Twitter: JOHNABYRNE">my boss tweeted</a> about a story that's garnered a whopping 3,000 comments and counting. </p>

]]></description>
			<content:encoded><![CDATA[<p><img src="/images/posts/bridging.jpg" alt="" width="500" height="290" /></p>
<p>We now pause for a brief moment of design reflection. </p>
<p>Consider the following screenshots. The first of the BusinessWeek.com reader comment navigation as I originally designed it (eons ago, it now seems)&#8230;</p>
<p><img src="/images/posts/bw_comments_teeny.jpg" alt="" width="186" height="56" /></p>
<p>&#8230;and the latter of how it appeared the other day when <a href="http://twitter.com/JOHNABYRNE/status/1098413676 " title="Twitter: JOHNABYRNE">my boss tweeted</a> about a story that&#8217;s garnered a whopping 3,000 comments and counting. </p>
<p><img src="/images/posts/bw_comments_uber.jpg" alt="" width="450" height="200" /></p>
<p>Ouch. </p>
<p>As originally envisioned, the design accommodated about 200 or so comments before Very Bad Things started floating the user’s way. There was a time&#8212;hefty traffic reports in hand&#8212;when that was above and beyond. Pants with two extra inches at the waist.</p>
<p>Clearly we’ve packed on some pounds since then.</p>
<h2>Bend Me, Shape Me</h2>
<p>How your designs scale with use is one of those things you need to diligently revisit and tweak as products mature. You can’t realistically account for all eventualities at the outset. That brand of clairvoyance eludes even the best of us. But you <em>can</em> plot out probable outcomes and leave hooks behind for those rainy design days somewhere on down the line. (And obviously some of those hooks need tugging on in this case.)</p>
<p>But remember, you need to return again and again, to ensure yesterday’s spacious accommodations haven’t turned into today’s teeming flophouse.</p>
<p>Actually, if you’ve done it right, you never left in the first place.</p>
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		<title>Interlude</title>
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		<pubDate>Wed, 30 Jul 2008 07:16:21 +0000</pubDate>
		<dc:creator>David Sleight</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[short story]]></category>

		<guid isPermaLink="false">http://www.stuntbox.com/?p=92</guid>
		<description><![CDATA[<p>They have wide, thin mouths, that by some conspiracy of anatomy and lighting appear to extend beyond the borders of their faces, improbable and frog-like. Irritated, emaciated amphibians skulking in plain sight. </p>

<p>“The soup is good, but it’s a little salty.” </p>]]></description>
			<content:encoded><![CDATA[<p><img src="/images/posts/three_ten.jpg" alt="" width="500" height="300" /></p>
<p>They have wide, thin mouths, that by some conspiracy of anatomy and lighting appear to extend beyond the borders of their faces, improbable and frog-like. Irritated, emaciated amphibians skulking in plain sight. </p>
<p>“The soup is good, but it’s a little salty.” </p>
<p>Hunched over bowls of chicken noodle, holding court on the finer points of the food service industry. “A lot of diner cooks are smokers. It screws up their sense of taste. They wind up using too much salt.” It’s the wee hours, and they share a table squirreled away in some odd corner of a still odder hometown. </p>
<p>Someone&#8217;s hometown, at least. Not mine, certainly not yours. The local diner&#8217;s resting place, long since gone ragged. </p>
<p>Later, they don their jackets and walk out back, a scene strewn with empty boxes, grease-streaked and forlorn for lack of their former contents. Moving past the smokers who prepared their meals, all parties puff away silently and eye warily. </p>
<p>&#8220;If anything happened to my eyes, man, I’d be screwed.&#8221; And yet they’re already malfunctioning in their natural state.</p>
<p>&#8220;They&#8217;re called glasses. Don&#8217;t be so dramatic.&#8221;</p>
<p>Make of them what you will. </p>
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		<title>Soul&#160;Train</title>
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		<pubDate>Sun, 29 Jun 2008 07:27:43 +0000</pubDate>
		<dc:creator>David Sleight</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[short story]]></category>

		<guid isPermaLink="false">http://www.stuntbox.com/?p=88</guid>
		<description><![CDATA[<p>You open the door of the shop, start to walk in.</p>

<p>But before you can even pass through, the girl behind the counter blurts out a question.</p>

<p>"If you could be anywhere in the world right now, where would it be?" </p>]]></description>
			<content:encoded><![CDATA[<p><img src="/images/posts/playtime_deuce.jpg" alt="" width="500" height="332" /></p>
<p>You open the door of the shop, start to walk in.</p>
<p>But before you can even pass through, the girl behind the counter blurts out a question.</p>
<p>&#8220;If you could be anywhere in the world right now, where would it be?&#8221; </p>
<p>&#8220;Uhhh&#8230;&#8221;</p>
<p>Bopping along to the humdrum store music, she notes your hesitation, adds a qualifier. &#8220;Could be anytime in history too.&#8221;</p>
<p>&#8220;Umm, well&#8212;&#8221;</p>
<p>&#8220;Me? I&#8217;d be on <cite>Soul Train</cite>!&#8221;</p>
<p>&#8220;Damn,&#8221; you think. Now <em>that&#8217;s</em> a good answer. </p>
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